We at Classic Films are very excited to present our new website to you. Whether a customer of previous, or probably a new one, it is our hope that we will better familiarize you with all of our high quality services.
What a good way to relive old recollections. I noticed these films when they first came out and they’re still just as enjoyable as they have been years in the past. My favorite is An American in Paris where Gene Kelly and Leslie Caron display their extraordinary dancing talents. All 4 motion pictures are excellent but I would gladly pay the value for this one alone.
They just don’t make good motion pictures anymore, do they? I take that back….I just watched Les Mes and I hope it wins a number of Academy Awards trigger it was simply great, I thought. But that’s about to alter with the launch in April of a Europe-huge video-on-demand platform bringing together content from 37 film archives and cinematheques across the continent. And the excellent news for movie buffs is that it’s free. This 1991 romantic comedy was written by Steve Martin, who also stars in it. It is one in all Martin’s best works, combining a satirical have a look at Southern Californian tradition with a sweet and quirky romance.
Adventuretravels; I’m sure many would dispute my alternative of films Giovanna, but when a movie is skillfully made (performing, dialogue, path etc) and if I take pleasure in it enough to see it time and time again, then that makes it an excellent film as far as I’m involved. I suppose I’ve now seen all of these films not less than 3 times, and a few I’ve seen many more instances than that!
Beyond historical context, a great title sequence usually precedes a groundbreaking movie. Vertigo opened with an excessive shut-up of a female eye , setting the stage for its twisted commentary on voyeurism and misogyny. Spike Lee’s Do the Right Thing introduced its presence with authority, starting with three minutes of a hip-hop dancing Rosie Perez backed by the inimitable beats of Public Enemy’s Fight the Power. Neither white nor black audiences had seen anything like it in a movie theater. Stanley Kubrick’s Dr Strangelove: Or How I Learned to Stop Worrying and Love the Bomb set the desk for irony, opening with serene classical music under pictures of nuclear fighter pilots.