Cultural and social identities along with cinematic genres are portrayed in movies to permit audiences to know concepts that filmmakers are presenting. In the film Crash, directed by David Cronenberg, using automobiles and individuals are used both actually and figuratively to disrupt the standard ideas which are related to sex and demise. Through using complex characters and key plot points, the film questions regular values in an try to point out audiences one other perspective of the human experience. This gender and sexual dynamic will be shown between the two males James (James Spader), Vaughn (Elias Koteas) and the 2 fundamental ladies in the movie Helen (Holly Hunter), and Catherine (Deborah Kara Unger). Using Crash as a mirrored image of cultural and gender expectations by means of using the auto business, Cronenberg exhibits the obsession of how cars turn out to be an extension of peoples personal desires.
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